They were produced at a time when I was busy experimenting with process and materials, using all sorts of clay bodies and firing temperatures.
I worked intuitively and quickly, blow torching freshly thrown vessels on the potter’s wheel so they’d take a layer or two of coloured slip. I’d then stretch, cut and distort the forms, pushing the wet clay to its limit.
I had so much fun and although I was excited by the results, I didn’t ever get to a point of turning all I’d discovered into a coherent body of work…. until now!
Over the coming weeks and months I’m aiming to revisit some of the techniques and produce some finished ware. Next year I’m booked to exhibit at Contemporary Ceramics Centre in London. You never know, some of the output might make an appearance there!?
Having been inspired by the success of my solo exhibition Sensational Clay, I was keen to explore in more detail some of the threads I’d been developing for the show – particularly the sonic possibilities. I was interested in adding a digital aspect to my work and contacted the digital sound artist Ashley Brown to see if he was interested in a collaboration. He was! and our work together culminated in three installations in three cultural venues in the city of Hereford. A promotional map and leaflet was also produced by Reeves Design.
HEREFORDSHIRE based potter Jon Williams from Eastnor Pottery has combined the core elements of his practice; ceramics, sound and public engagement, to produce three, site specific, interactive works of art in Hereford.
Musical Apples (10 green bottles) at The Cider Museum is a series of oversized ceramic apples with bronze leaves and stalks, displayed on eight magnificent Kilderkin barrels. Visitors are encouraged to gently caress the leaves to produce musical notes recorded from tinkling cider bottles.
Visitors to the Waterworks Museum on Broomy Hill will encounter a potter’s bench full of rustic jugs of various sizes and hand-thrown in a selection of different clays. Musical Jugs (Jack and Jill) can be tuned by filling the vessels with water and gently tapping the pots with beaters.
Musical Hotpots (Oranges and Lemons) at Old House Museum is inspired by the historic use of the magnificent timber-framed building. It’s been both a bank and a butchers shop. Museum visitors can play the terracotta and ceramic bone xylophone.
“Although clay is the primary material, I’ve collaborated with other artists and craftspeople to realise the work,” said Jon. “Artist blacksmith, Andrew Findlay and wooden furniture maker Timothy Hawkins, both based in Herefordshire but with national and international reputations, contributed to the making.”
Two of the installations rely on digital and electronic wizardry to fantastic effect. This has been enabled by Creative Technologist, Ashley Brown, who Jon worked with throughout the design and production.
The project was funded by Arts Council England and has taken Jon and his collaborators 12 months to develop and install, and all the elements are now permanent features at the museums.
Sensational Clay was my solo show and a culmination of many months of work, exploring ideas of invention, interaction and participation with clay.
All the works in the exhibition were inspired by the five senses: touch, taste, sound, smell and sight. Every item encouraged visitors to interact and explore, inviting them to experience the objects in a very different way than in a typical gallery setting.
A short film accompanied the exhibition which gave further insight into my practice and the processes used:
Included in the exhibition were:
Giant bowls of sand that visitors can delve into to discover hidden treasures
Tables filled with food inspired ceramics, such as giant teacups and biscuits
Interactive musical pots and rattle pots
Scented ceramic forms, reminiscent of pineapples, coconuts and bananas
Textured ‘clay doodle’ plates
The exhibition toured a further four UK art galleries and was experienced by approximately 12000 visitors. The other venues were: